LAB 03 · Resistance & Conflict · Phase 1 of 5
Grounding
Group 3 — Resistance & Conflict
Your Research Question
How much energy did enslaved people expend resisting their enslavement — through escape, rebellion, sabotage, and slowdown — and how much did Black soldiers expend in military service after 1862?
You are measuring what the system tried to erase.
Resistance was the most systematically undercounted category in plantation records. Enslavers had financial and political incentives to downplay every form of resistance — it reduced property values, threatened the ideology of enslaved people as "content," and revealed the violence required to maintain the system. Your job is to make the most honest estimate you can, and to be explicit about the limits of what you can document.
Your Fermi chain
Identify resistance categories to model
Escape, rebellion, sabotage, work slowdown, maroon communities, Underground Railroad participation
Research MET and duration for each resistance type
Same formula as Lab 02 — escape attempt is high-MET (running), slowdown is low-MET
Research documented event rates per 1,000 people per year
Sources: Freedom on the Move (runaway ads), WPA Narratives, court records, plantation journals
Apply undercount multiplier — your most important judgment call
Documented events ÷ estimated actual events. For slowdowns: ~1 documented per 50–200 actual
Calculate USCT conflict energy (1862–1865 only)
~179,000 soldiers × service days × kWh/soldier/day; step function from zero before 1863
Hand resistance + conflict tables to Group 5
energy_kwh.resistance and energy_kwh.conflict — both fields, for each state-year
What you need to research
- Documented runaway ad rates — "Freedom on the Move" database covers ~100,000 ads from 1790–1865
- Historian estimates of actual-to-documented resistance ratios (Stephanie Camp, Walter Johnson, Vincent Brown)
- USCT enrollment by state: National Park Service Soldiers and Sailors System
- Average length of USCT service by regiment and state
- Energy cost of major rebellions: Nat Turner (1831), Stono (1739), Haitian-inspired plots